Shepard Fairey: Supply and Demand

faireyYes, this is definitely old news as the exhibit opened at the ICA back in February and was surrounded by some drama in the news, and a possible publicity stunt/arrest here in Boston. However, I waited until this week to actually go out and see the installation in person. A trip to the ICA is always exciting, but Fairey’s work displays wonderfully there. The museum provides an extremely modern backdrop for the street art – clean lines juxtaposed with Fairey’s grungy, filtered graphic style.

No, I wouldn’t call it fine art by any means – it doesn’t have much depth, it’s not very personal, and it’s pretty much the opposite of “surprising”, or “though provoking”. But it’s graffiti! Fairey’s illustrations are beautiful, and I enjoy them most in their true element – pasted to the sides of old buildings.

Fairey’s posters are all over the city (and many, many others), and the ICA offered bicycle tours of his work throughout Boston and Cambridge (sold out). What could be better than a summer bicycle ride to see really good graffiti? Nothing. If you were not lucky enough to catch a spot on the bicycle tour, you can arrange one yourself by following the map below, which points out all of Fairey’s posters around the city:


View Shepard Fairey’s Outdoor Works in Boston in a larger map

It’s a beautiful day – go ride a bike. Or, go to the museum and check out the installation in person – it runs through August 16th. Every Thursday evening from 5-9pm, the ICA opens its doors for free, so you won’t even have to pay to see graffiti.

Somerville Open Studios

This weekend is the annual Somerville Open Studios, where artists and designers from all over Somerville, MA open up their homes and workshops to the public. Over 300 artists participate every year, which makes it a wonderful (but lengthy) hike through the city to check things out. I went browsing through a couple studios today, and was so impressed by both the work I saw, and the incredible lofts and buildings these artists get to work from. Yes, I might be a tad jealous of the tenants of The Paper Factory in Union Square – one of the many gorgeous old factory buildings gone the way of loft studios in Somerville.

While visiting The Paper Factory today, I ran across the work of freelance animator Gina Napolitan, who creates incredibly unique, detailed characters for animated films. I absolutely love the haunting quality of the little figures she creates. I absolutely love this little shadow box type house she created with some characters from a recent animation piece:

img_1300

img_1303

The detailing on each figure and their costumes just blows me away. I have such an appreciation for artists that can lose themselves in the minutia of design, probably because I envy that eye for the smallest detail.

Another stand-out artist on my limited tour today was Alethea Roy’s work at The Little House. She describes her work as “terrifyingly beautiful art”. I don’t necessarily agree with the terrifying part, but it is definitely beautiful. I tend to gravitate towards art with ocean scenes, so naturally I fell in love with her Lost At Sea triptych from the moment I laid eyes on it.

lostatsea1lostatsea2lostatsea3

The haunting imagery, the vacant eyes, the squid tentacles! The triptych plot seems to unfold as such: girl captured by pirates (obviously), girl escapes from pirates only to be sucked into a whirlpool (not the nice spa bathtub kind either), girl rescued and possibly seduced by giant pink squid, the end. You’re welcome for that very deep and meaningful interpretation.

Anywho, the fun continues tomorrow from 12-6 pm all over Somerville. If you’re in the area, definitely stop by any of the studios that might interest you – there is something for everyone.

Shop Update

blackchevron

I wanted to post a quick note that our Shop has been updated with some new Black Chevron Tiles. I decided to limit the run on all the chevron cork tiles (this includes the Dark Cork Tiles as well), so the quantities you see listed will be all that’s available for quite some time. I can’t commit to forever, but I am definitely not planning on printing these again for awhile, a long while.

But on the up side of that is that I will be working on a new tile design, and a couple other secret projects as well. More on that to come as the images and ideas have been solidified.

Shhh, Beast. What I Learned at FITC.

If you haven’t heard of it (which I suppose is excusable as it’s very industry-specific), Flash in the Can is an annual conference for anyone involved in digital media. Oh my Lord the names it brings. As well as the students, the seasoned digi-teers, the tech-heads, the brilliant artists, all sorts of clever, creative people. I arrived with a kind of jaded skepticism and have left the events feeling bright-eyed and bushy-tailed, inspired to put my efforts in the right places. Money can’t buy that sort of thing. FITC can now be found “through 30 cities and eight countries” – so see if an event is coming near you. They’ve got a kickin’ new website, too: www.fitc.ca.

Since I had the luxury of not having to buy my way in (I received a free ticket from the Female Initiative – 100 free tickets given to women so we would get our asses out to these events), I wanted to share what has been shared with me. Plus my little Beast friend (see illustration above) was on my back to tell him why I was gone so long, where I’ve been, what I’ve been doing. Here you are little Beast Friend, everything I learned at FITC:

1. Don’t be afraid of technology. You artists and designers – I feel your pain, it’s hard work trying to squeeze math and programming into our already overcrowded, buzzing brains. Sin curves fill me with as much fear as the slow ascent in a rickety cart to the top of a wooden roller-coaster. But the sheer volume of people who attended this event, and people who appreciated what other artisans were doing with technology (Joshua Davis, James Paterson, 1st Ave Machine), goes to show that the extra skill-set is well worth the effort. I don’t think we’ll put any programmers out of jobs by learning a little Actionscript, but it helps us open our mind to possibilities, to think creatively in a less usual way, and to communicate better with the awesome programmers who help bring creative executions to life.

2. Find the ideals you believe in and hang on tight. You will always be able to find someone or something to share your beliefs, your lifestyle, your hopelessly idealistic conversations (ie. if you believe in hotdogs, eventually you will find some real-life condiments). Hang in there, and seek people out who look intriguing.

3. Be so so nice to everyone, even little bugs. Some day those little bugs will grow up to be monster bugs and could eat you alive. Or maybe they’ll become fabulous superstar bugs and give your rides to all your favorite concerts. I don’t know. What I mean is just be humble and kind, and little bugs (like myself) will appreciate it and remember you.

I could go on with my life lessons forever but I’ll limit them to the key points – I think practical advice is overwhelming the twitter-sphere right now anyway. So here’s a list of awesome people I had the opportunity to see speak at FITC, and whom I think may inspire you as well to do some awesome thinking and executions:

Big Spaceship – the company structure makes me giddy with hope for humanity. I met a couple of  the company’s aeronauts and found them fantastically genuine and approachable. Their Experimental Side – Big Spaceship Labs

James Paterson – funny, jaw-dropping, poetic work. James considers himself first an artist, then a programmer, and not an illustrator or designer at all (this is another topic of discussion). I’ve been a fan since I was 14 – keep in mind that the humor originates from that era of my life! He’s got a bit of work online but when I suggested he post more, he claimed he didn’t want to be held accountable. Fair enough! www.presstube.com

1st Ave Machine – highly polished motion work but what really caught my attention was Matt Lambert’s emphasis on concept. I haven’t heard it enough since graduating college, but concept concept concept is SO important. 1st Ave Machine

Powerflasher – Maybe more technical than artsy, but Carlo Blatz also speaks to non-linear project conception/development/management. This was the first presentation I attended and I found the company structure again, really inspiring. Get past the techno music to the meat of the presentation

Zachary Lieberman & Golan Levin – implementing advanced technology to really help every day people. For example, they presented an eye-tracking program that is still in development. They have tested their experiment with an ex-grafitti artist who is unable to move anything but his eyes due to the debilitating effects of Lou Gehrig’s Disease. This software enables tracking of his eye movements so that he can actually still draw and communicate. Completely amazing. They say it better than I do: Levin’s site and Lieberman’s site

Closing words: Do consider going to FITC next time, I found it well worth my days and nights. All the FITC sessions were recorded, so I’m hoping I can get a link for those out fairly soon so that you can revel in all the motion, technology, and design goodness. Peas fellow geeks and artisans!

Matters of the Heart

hearts

A little Wednesday eye candy – two new heart prints from Chicago-based designer Jenny Beorkrem aka Ork Posters. I love her city posters, and am so glad she is exploring new subjects in the same theme. This print really fuses two subjects that evidently were made for one another: anatomy and typography. Separate each is great, together they are unstoppable – like the Hulk,. So click here to pick up a heart print in warm hues or black and white, or here to browse their city posters.